While visiting MOPA in Balboa Park, CA, I was able to view many interesting exhibits that caught my eye. The four exhibits that were featured at MOPA were the Seeing is Believing?, Ansel Adams: What Majestic Word, Prix Pictet: Disorder, and India and the Picturesque. Though all of these exhibits were very well done, two stood out the most. The Prix Pictet: Disorder focused on social and environmental issues and many of the artists showcased powerful images, also, India and the Picturesque is a collection of images of India in the 19th century.
The Prix Pictet: Disorder exhibit brings attention to a vast range of concerns from mass production and consumption to the effects of war and natural disasters. One photographer who made an impact on me was Pieter Hugo and his series Permanent Error. In this series, Hugo photographed the people and land of a massive dump full of worn out technology in Ghana. The mountains created by old computers and hard drives are inhibited by local villagers and livestock. Seeing these images was very impactful and almost made me emotional because when reading about such living conditions it is hard to believe but when looking at a photograph of the actual location and conditions it puts everything into perspective.
I found the photographs featured in the India and the Picturesque exhibit beautiful and pleasing to the eye. This series of images were photographed by Samuel Bourne, John Edward Sache, Indian photographer Nathulall, and much more. These images captured the history and life in India during 1860- 1880 and every image was brought to life.
Overall I enjoyed my visit to MOPA and had a wonderful time viewing the exhibits. Many of the photos I viewed were very powerful and sent a strong message that stuck with me. I very much look forward to my next visit to the Museum of Photographic Arts.
Bukima, Virunga National Park, Eastern Congo, July 2007
Pieter Hugo, Yakubu Al Hasan, Agbogbloshie Market, Accra, Ghana 2009